En guarde! Forgotten

Welcome to my new followers and apologies to those who have also followed the En guarde! blog.  That blog was abandoned after the initial flurry of posts in December 2011 and, unfortunately as I like the name, I cannot get access to it anymore. 

Anyway, the sharp-eyed among you might have spotted that the basic outline for “The Way Home” by Jay McKeown matches “And I Shall Be Healed” by J. Lee Dean.  They are one and the same; this book has changed it’s name more times than Elizabeth Taylor.  Previous titles include:

 

1. “Purgatory” – from the short story from which the novel originated.  If you ask very nicely I might post it up here.

2. “The First Circle” – I did Dante at university

3. “The Way Home”

4. “Earth’s Vain Shadows” (Abide with me)

5. “Till the Night is Gone” (Lead, Kindly Light)

6. “As I Passed Through” The opening lines of “A Pilgrim’s Progress”.

5. “And I Shall Be Healed”.  I followed Graham Greene’s lead and went back to church.

 

Memorise these; you never know, I may one day be someone’s specialist subject on Mastermind (UK TV show for those not currently in Blighty).

 

That’s it for tonight.  I’ve been kicking my Employment Law Essay around all day.  So far I’ve done the reading but must admit it was probably a mistake to stick “A Draughtsman’s Contract” in the DVD player as “background”.  It is not a background film.  It is never a mistake to watch the film; in fact, if you are not currently in possession of this Peter Greenaway film, go and order it now.  It’s more like a Restoration play than a film.  Not a wine & chocolate affair but it is bloody marvellous.  Anyway, I digress; which has been the problem with the essay.  It’s not 7.30pm and I reckon I’ll be satisfied if I get the introduction done tonight.  As the lady says, “Tomorrow is another day!”

 

Anon good friends.

A little tease

So, I’ve been reading an article on the the Writer Unboxed website which says: “Stop Being Afraid of Posting Your Work Online”.

As it looks like I about to the way of self-publishing wend, I thought I’d give you a sneak preview of the book’s prologue ahead of publication next year. It’s all strictly copyrighted of course but, here goes, hope you enjoy it. The whole book will be available in e-format from about Easter, with hardcopy to be released in time for the WW1 centenary. This is unless the publisher decides to save me from a few months of production editing!

Anon, good friends.

Prologue
(Christmas Eve 1914, Singleton, West Sussex)

“What has happened here tonight must never be spoken of. Do you understand, Leo?”
For a minute I think I have misheard and, still clutching my throat, look up at the doctor in disbelief. My throat is bruised and burning sore and my attempt to protest produces nothing intelligible. My feelings must be apparent, however, for the doctor suddenly leans closer.

“Listen to me, Leo.” He says, as though to a stupid child. “This is very important. You must promise me that you will tell no one what happened here tonight. No one.”
“Stephen almost killed me”. My voice comes at last; it is a relief to hear it, small and shocked as it is. I swallow painfully, still feeling the vicar’s hands at my throat.
“Please Leo.” Stephen’s wife sits beside me and squeezes my hand until I look at her. “If this gets out we will be ruined. He will lose his living; they will lock him up as a madman. We have a child, Leo.”

She turns her pale, shocked face to mine, pleading my silence. The taste of blood in my mouth distracts me. My world has been turned upside down this evening and yet I think it is this that upsets me more than anything else. The still-rational part of my mind reassures me that I must have bitten my tongue but still my stomach contracts with dread.

Somewhere in the room a clock chimes, ten o’clock.
“I must prepare for Midnight Mass.” Taking refuge in routine, I stand up and turn to the door, struggling against the dizziness that sends the room dancing about me.
“You must promise me, Leo.” Forrester catches my arm; stops me from falling, stops me from leaving.
“No one must know what has happened here tonight”
My mind is distracted; I feel the pressure of Forrester’s grip but my thoughts are on the parish church and a dozen other practical considerations. In less than an hour my Christmas congregation will arrive to sing their carols; my parents will be in bed by the time I get home. I must be careful not to disturb them.
“I will have to cancel the early service tomorrow.” My voice echoes somewhere beyond me, addressed to no one in particular. “If…if my voice holds out tonight I could manage the others myself. I…I will say he is ill.”
“I know you will do what’s right, Leo.” Forrester releases my arm and turns towards Eleanor. I look around me; at Eleanor sobbing quietly, at Forrester’s implacable resolve. An hour ago I would have called them friends but now they have closed ranks, shutting me out. Now it is not just my bruised throat that makes it difficult to speak.
“You mean I agree to keep quiet and we all go on as before?”
Forrester nods solemnly. “I know how you must feel, Leo, but Stephen has done a lot for you over the years.”
“He was my friend.” I think of Stephen’s silences, his uncharacteristic irritability, of the war service I turned down, only this week, at his request.”
“You don’t know how I feel.”
“Nothing’s changed.” Eleanor pleads. “He thinks the world of you, Leo, you know that. But he isn’t well; you must have forbearance, forgive this…this…”
“Everything has changed.” The bitterness in my voice strikes me though the sentiment itself is nothing new. “I cannot stay here, I will not.” Defiant now, my eyes linger on each of them in turn; the wife and the brother standing together against me. There is no fighting them. “Nothing can be as it was before…” I swallow the blood in my mouth. “But I will keep your secret.”

© J. Lee Dean 13th August 2013

Casting on…

So now the hunt is on…for English folk songs that would have been sung during the first half of the C17th… if you know any, please do comment.  NB: they must be English, Welsh, Cornish or Scottish (in English of course).  This is a very English story so I doubt lyrics from the New World would have made it over (I am not going to debate that point, this is how I’m limiting my search).

This is for Ambrose of course.  He has changed, this character.   Originally an ambiguous (is he or isn’t he a witch?) secondary character in my Civil War book, he now gets a mention in the title which is: “The Lost Son of Ambrose Garfield.”  I don’t really know why I keep calling it my Civil War book either; the book opens in 1633 and then jumps to 1653 (this is the English Civil War in case you’re wondering.  Yep, that’s right folks, we cut off the head of our king first!)  While the central narrative of the story will focus on Valentine Garfield, the eponymous “lost son”, and his return to some type of health, there will be passages from or rather about the twenty years in which Ambrose wandered England in search of him.  So, this will take in the English Civil War, early modern life on the roads (laws of vagabondage, anyone?) as well as hints about what happened on that fateful night (for we simply must have one of those) and Ambrose’s trade as a healer.

It is all terribly exciting but, at the moment, I am having trouble getting Val out of bed.  The thing is this, before I threw myself wholeheartedly into “And I Shall Be Healed” (the WW1 book which will be published next year, even if I have to do it myself) I had written about 50k of this Civil War book.  Now, the story has changed considerably but the basic plot hasn’t.  The temptation to cut and paste is overwhelming.  Cutting and pasting is ok, but it must skip along hand in hand with FIERCE proof-reading to make sure everything fits.  So far it needs tailoring but I reckon if I just push on through I can sort out the hems and seams later on, once I have cut my cloth.

So it’s not really a problem yet.  I have, however, abandoned the version of the story I was writing immediately before Nice following an insomniac night when I came to the conclusion that the plot doesn’t work!  Gah!  So uncertain am I at present (and mindful of the fact that the plot I’ve just thrown out had formed the bulk of the synopsis I had sent to my potential publisher) that I almost reinstated the thing on Monday.  However, I shall hold firm for I know that what lies ahead is going to be worth the work.  Casting on is always difficult.

 Talking about casting on, it’s almost time for me to cast off, on the bike tonight (push, not motor) so I wish you well and bid you adieu for now.

Anon, good friends!